Company News: Page (1) of 1 - 09/25/06 Email this story to a friend. email article Print this page (Article printing at MyDmn.com).print page facebook
FlickerLab Repackages AMC "Monsterfest" 10th Anniversary Creates Series of Mini Horror Flicks for the Network (September 25, 2006) DMN Newswire--2006-9-25--
To promote American Movie Classics (AMC) network?s 10 day horror film marathon, "Monsterfest," FlickerLab has designed and created a complete Halloween stunt package, including a series of mini horror films, logos, opens, closes, bumpers, and transitions. The broadcast package, guaranteed to give viewers the willies, will begin its national rollout October 1st and continue to air through the ?Monsterfest? 10th Anniversary, October 22 through October 31.

FlickerLab?s talented team initially presented a number of treatments  - puppets, animation, live-action - for the AMC Halloween package. Led by Managing Partner/Creative Director Harold Moss, the New York-based development, design and animation studio expanded the live-action option that was based on the idea that the network is actually possessed, that something or someone has taken over AMC. Static interrupts programming and suddenly a demonic feed from what appears to be a haunted psychiatric hospital briefly takes over the airwaves in a variety of scenarios.

?Rather than create traditional broadcast graphics we filmed a series of short :05 and :10 horror movies, using the language of the spookiest fright films to inform. We spent two days shooting in a couple of abandoned buildings and the tunnels that run underneath and between them on the grounds of the Rockland Psychiatric Center in Orangeburg, NJ. We could not have found, or created, a more perfect environment.  The abandoned buildings were dank and dismal; the tunnels, pitch black and half flooded. Not the most pleasant of working conditions but we could not have asked for a more perfect location,? explained Moss who, because he was willing to shave his head, shove himself into a cooler full of ice water and wear a straightjacket for half a day, starred in some of the mini movies.



?Kudos to AMC. They are the movie channel and they really let us break out of what many would consider the expected graphics approach and create some seriously spooky small films. This project was a tremendous amount of fun,? continued Karen Stewart, Flickerlab Executive Producer/Strategic Business.

?Flickerlab's ?Monsterfest? package was a very organic approach to the creative. Although Flickerlab had storyboarded the general idea before the live-action shoot, once the location was found, even more stories developed, so it was an on-going creative process,? stated AMC Producer Andrea Beckerman Terry.

The FlickerLab team included Creative Director/Director/Animation Director Harold Moss, Executive Producer Karen Stewart, Art Director Zartosht Soltani, Designer Miguel Hernandez, Senior Producer Mike Sullo, Associate Producer Sarah Brown, Composite Artists Devin Clark and Bryan Cox, and Director of Photography Bill Bradley.

FlickerLab shot the live-action elements on DVPro 50 in the Rockland Psychiatric Center (Orangeburg, NY) and utilized Adobe After Effects, Illustrator and Photoshop in the execution of the Halloween stunt package. 

AMC (New York, NY) was represented by Executive Producers Mary  Conlon and Geoffrey Whelan and  Producer Andrea Beckerman Terry.

Editor David Cornman of Crew Cuts (New York, NY) completed the offline editorial.

David Wilson of David Wilson Audio (New York, NY) was responsible for the musical score, sound design and audio postproduction.

About FlickerLab:
Founded in 1999 as a design and animation studio, today FlickerLab?s principals, long-term collaborators and strategic partners employ their skills, technology and industry experience on a variety of projects be they concept-to-screen development and production, design and execution of commercials or broadcast promotions. In addition to high quality creative digital content development, FlickerLab works with clients to extend their project reach through advertising, Internet impact, online marketing, and merchandising.

The company?s portfolio includes high profile work for media and entertainment companies including A&E Networks, Bravo, Comedy Central, Discovery Home, Disney Channel, Lifetime, Lions Gate Productions, Michael Moore Productions, MTV, Nickelodeon, Planned Parenthood, The Cartoon Network and The WB, and product/service companies including Bassat Ogilvy, Continental Airlines, Grey Worldwide, Johnson & Johnson, McCann Erickson, Microsoft, Party City and Procter & Gamble, among many others.

FlickerLab is headquartered at 7 West 18th Street, 4th floor, New York, NY 10011. For additional information, or to see a reel, contact Managing Partner/Executive Producer Tammy Walters at Tammy@flickerlab.com or by phone at 212 560-9228. Visit the FlickerLab website at www.flickerlab.com
-30-


Page: 1


Related Sites: Creative Mac ,   Digital Producer ,   Hollywood Industry ,   IBC News ,   Digital Animators ,   Animation Artist ,   Siggraph News ,   Audio Video Producer ,   BN - Broadcast Newsroom ,   Digital Post Production ,   Film Imaging ,   Oceania ,   MacAnimationPro ,   MacDesignPro ,   DMN Newswire ,   After Effects ,   BN - Facilities
Related Newsletter: DMN Newsletter ,   Waveform Newsletter ,   Pixels Newsletter ,   Mac Alert Newsletter ,   Renders ,   Digital Media Net ,   DMNForums ,   Tutorial Finder ,   Review Seeker ,   BN - Broadcast Newswire

DMO TEXT LINKS
(Click here to place a textlink on this site)

Vegas Pro 8 + Free Vegas Seminar Series
Master classes for cutting-edge video production
A $100 value free with purchase
CLICK HERE!!!

HOT THREADS on DMN Forums
Content-type: text/html  Rss  Add to Google Reader or
Homepage    Add to My AOL  Add to Excite MIX  Subscribe in
NewsGator Online 
Real-Time - what users are saying - Right Now!
    • Re: Acid Pro 7 loops question • JohnnyRoy
    • Re: Rendering to .avi files • yigalsela
Content Insider #148 - The iGen
NO...Doesn't have a thing to do with "that" smartphone...or "that" store...or "that" tablet. It's the next generation. Kids and we mean little kids. That's what today's products are being designed for/targeted at. You happen to buy one...fine. Watch a little, little kid pick up a smartphone. He/she just uses it. They've come pre-wired and we're still trying to figure out how to IM. It's the IGen. They want it instantly. They want to use it instantly. They expect their photos, their video, their music, their stuff immediately when/where/how they want it. Read More
eBay Essential Training: Proxy Bidding
In this clip, lynda.com host Mark Abdelnour takes a look at proxy bidding. He discusses the strategy and how it works. He also discusses the maximum bid, and when to use Proxy bidding. Read More
Insider #149 - Game Demographics
The blood, gore, adrenalin challenges that were unveiled at E3 and enjoyed at ComicCon are fun to look at, easy to hold but are they really the games people want to plunk down their credit cards to own or rent time with? Seems as though the investors, the players who control the controllers have a different idea of a "good" game than the kids who develop them. While mobs of people play educational, informational, stimulating games our kid huddles in his room and mumbles "The Few, The Proud, The Gamers." Read More
Social Media #3
Part of a series of articles to plainly explain what organizations need to consider and carry out in today's social media. Read More
@ Copyright, 2010 Digital Media Online, All Rights Reserved